A Festival of Crime

I’m just back from Crimefest, Bristol. It was my third Crimefest and the first time I’ve done the full Thursday to Sunday programme. Okay, maybe not honestly ‘full’ as I did abscond for a few sessions – hunting for gluten free snacks, in the main.

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Crime through the Millennia with Antonia Hodgson, Ruth Downie, Anthony Taylor, David Penney and Sharan Newman

Dozens of writers were speaking, and dozens more were among the 500+ attendees. It was the usual format, mainly panels of 3 or 4 writers plus a moderator, plus a few communal sessions such as the duet of Peter James and Martina Cole brought together by Peter Gutteridge. I avoid playing the fanboy at such events, merely smiling and saying hello when passing Lee Child in the hallway.

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Its All in the Mind …with B.A. Paris, Louise Candlish, Kate Rhodes, Elodie Harper and Dirk Kurbjuweit

Highlights are hard to pick but Kate Rhodes was the stand-out moderator in the session ‘Psychology, Obsession and Paranoia’, deftly pulling together the strands of twisted discussion launched by the (mainly) female panel to the (mainly) female audience. The W for Women panel discussed how well men could ‘write’ women, and women ‘write’ men. The financial crime panel pre-empted my own question on how to deal with financial crimes that are both complex and dull at the same time (skip the detail). Between panels Luke McCallin and I got thoroughly stuck into discussing thrillers set in the world wars, something I’ve toyed with but never delivered.

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with Christine Poulson and Kate Ellis

The social side was never far away. At dinner I was seated with ‘Queen of Gangland Crime’ Kimberley Chambers and some of her Harper Collins team. I also enjoyed a good catch-up with fellow archaeology-mystery writer Kate Ellis. To cap it all was a very silly game of ‘Sorry I haven’t a Cluedo’. Instead of a buzzer, panel members fired cap guns. You had to be there to appreciate it.

#Crimefest

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Desmond Bagley’s Blue Plaque

Thriller writer Desmond Bagley has been commemorated by a blue plaque by the gate of his former home at Castel House in Guernsey. Bagley died at an unfairly early age in 1983 in Guernsey, where he had made his home with his wife Joan.

 

He died just before I moved to the island, so I never met him but did grow to know Joan through the Sarnia Sword Club. Indeed my first (never published) ‘trainer’ novel was a Bagleyesque thriller, and Joan kindly talked the twenty-something me through some of the principles of thriller-writing including the advice to ‘make it up’ and not just ‘write what you know’. It is fitting that Joan is also commemorated on the plaque, as at times she combined the role of editor, critical friend and manager, and completed the final two novels for publication.

Desmond Bagley ( portrait by Graham Jackson)

Bagley was always one of the names I hoped one day to see commemorated once Guernsey’s Blue Plaque scheme had been launched, but I’m on the Panel and nominations have to come from the public; there also needs to be a sponsor in the wings and the owner of the house must approve. Fortunately all these things came together this year. Castel House has indeed been re-named Bagley Hall to mark the legacy.

 

 

 

The Plaque was unveiled by the Bailiff of Guernsey, Sir Richard Collas, on May 11th appropriately during the Literary Festival. Harper Collins have re-released the full list of sixteen Desmond Bagley thrillers during 2017, and were represented at the ceremony.

Sir Richard Collas, Bailiff of Guernsey with Philip Eastwood

Researcher Philip Eastwood has been compiling information on Bagley’s life and books, creating the blog www.thebagleybrief.com .  He has donated his research material to the Priaulx Library in Guernsey, which complements the archive that Joan donated to the Howard Gotlieb Archival Research Centre in Boston. Together with items on loan from Harper Collins these have been used to create a temporary display in St Peter Port’s Guille-Alles library which will run through May into June.

 

 

 

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Guernsey Literary Festival 2018

Another year, another Guernsey Literary Festival. On Thursday 10th May I’ll be introducing Duncan Barrett in the Festival Hub. Duncan is the author of a number of non-fiction books including GI Brides and Sugar Girls both based on first hand interviews. His latest project is Hitler’s British Isles, for which he spent three months in the Channel Islands interviewing survivors of the German Occupation 1940-1945 and their children.

 

 

It is a timely subject, considering that I’m typing this on Liberation Day; May 9th, the 73rd anniversary of the liberation of Guernsey.

The book is not yet published, so I’ve not had chance to read or review it, so I’m looking forward to talking to Duncan and hearing about his project in front of an audience of Guernsey Literary enthusiasts.

Duncan Barret at United Agents

Later we will be hearing Philip Eastwood talk about the life and legacy of Desmond Bagley, ahead of an exhibition at the Priaulx Library of books, objects and annotated manuscripts. Philip has been collating an archive of Bagley material, which will be deposited at the Priaulx, complementing the archive already established at the Howard Gotleib Archival Research Centre in Boston.

I’ve been working with Philip over the past few months to set up a blue plaque to Bagley and his wife Joan at their former home in Castel Hill – but that’s a story for another day.

The Bagley Brief

 

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The Twitter Campaign

So I’m trying something different, a Twitter Campaign. Mostly it is to test the water, see how effective it is. After all if the Russians can change the result of elections by mass tweeting, there must be some power in social media.

Although it was my sixth novel Glint of Light on Broken Glass was self-published, albeit at high spec by Matador and professionally edited. However it had little of the marketing push I’d expect from a mainstream publisher. It was planned as a slow-seller to local audiences and tourists, but there have been e-book and internet sales through Amazon so the interest is worth stoking.

Also of course we have the #GuernseyMovie released this month, and for a few weeks the G-word becomes more searchable. Other local writers, hotels, gin-makers and others are riding the publicity wave, contributing to a symbiotic promotion of their own products as well as the movie.

So I’m posting or re-posting a range of idiosyncratic images with snippets of text including lines from the book. I’ve taken the photographs myself, often at the appropriate location in Guernsey, then applied a little manipulation and cropping. Alongside this is a professional PR campaign running for a month, nudging people towards my partner website guernseynovel.com. Perhaps you’ve seen it? This is a true test-the-water exercise, as tweeting can be like whispering in a crowded room where everyone else is yelling.

Anyhow, Mr Putin, I’m sure you’d love Glint so if you could get your army of fembots to re-tweet this 20,000 times I’d be most happy.

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Anyone for Pie?

The Guernsey Literary and Potato Peel Pie Society is far and away the most successful novel set in Guernsey. Although there are easily two dozen works of fiction using the German Occupation of the islands as their background, this is the stand-out commercial hit. Curiously it was written by an American who had only made a single unplanned visit to Guernsey.

The book is the only novel by American author Mary Ann Shaffer. She made a brief stop in Guernsey in 1976 and became fog-bound at the airport; a familiar hazard to island residents. Browsing the bookshop, she learned about the German Occupation of 1940 to 1945. It was two decades before she finally began her Guernsey novel, and it was accepted for publication in 2006. Her health deteriorated, so the final editing was carried out by her niece Annie Barrows who was already a published children’s author. Mary Ann Shaffer died in 2008 before the book was published.

It is an ‘epistolary novel’, in that the story is told entirely through letters between the characters. In post-war 1946, English journalist Juliet Ashton strikes up a correspondence with islander Dawsey Adams one and becomes intrigued by the quaintly titled Guernsey Literary and Potato Peel Pie Society. She travels to Guernsey to meet members of the society, and a story of love, tragedy and hope emerges against the background of an island people surviving almost five years of enemy occupation emerges. For the uninitiated, potato peel was used as ersatz pie crust when food began to run short. I have never tried it, but it was apparently rather nasty.

The Guernsey Literary and Potato Peel Pie Society was an immediate hit, especially in the USA. It spent 11 weeks in the New York Times bestseller list and reached the number 1 position on 2nd August 2009.

Reviews were favorable; The Times said “Every now and again, a book comes along that is simple yet effective, readable yet memorable. This is one such delight … It is a uniquely humane vision of inhumanity; one to lift even the most cynical of spirits”

To date it has sold over 5 million copies worldwide in over 30 territories and has proved particularly popular with book clubs. It was planned for me to interview Annie Barrows at the Guernsey Literary Festival, but scheduling clashes mean that it’s not to be.

A film adaption has been on the cards for a few years, with different directors and stars mooted. It finally takes form this spring, directed by Mike Newell, starring Lily James as English author Juliet Ashton and Michiel Huisman as islander Dawsey Adams. The film will be in cinemas from April 20th 2018, with a special Premiere taking place in Guernsey in addition to the World Premiere in London. It remains to be seen whether filmgoers also have the taste for pie.

 

 

The Friendly Festival

It was my pleasure to attend the fourth Alderney Literary Festival this weekend, which incoming Chair Anthony Riches declared to be the ‘Friendly Festival’. It is small but perfectly formed, concentrating on historical fiction, non-fiction and biography. The audience is limited to 50 or so for each talk, so there was barely an empty seat throughout the weekend. People came and went, picking the talks that suited them and there was a programme of fringe events taking place about the island.

The intimacy of the venue at the Island Hall also meant that the dozen authors and the public mixed freely. There was no ‘Green Room’ for writers to be whisked away to by their agents or publicists. Refreshingly the talks were not simply a plugathon for the author’s new book, but plunged deep into discussions of historical fact and fiction, and indeed the point at which these transition into myth.

I wasn’t speaking this weekend, being principally a paying punter. I did however have the fun of introducing Professor Gary Sheffield’s talk on the end of the First World War, and brought away a copy of his book on Douglas Haig, from the Somme to Victory. The outcome of the Great War did much to shape the modern world, as did the outcome of the Second; the way we have built myths around that conflict were presented by Keith Lowe.

With Tony RichesIn what could have been the graveyard slot on Saturday evening, I also introduced Anthony Riches, energetic author of a dozen Roman epics which he writes at a dizzying rate. His talk on the evidence for Post-Traumatic Stress Disorder in the ancient world was thought-provoking and questions could have gone on all evening. Also taking no prisoners was outgoing Chair Simon Scarrow and his look at the so-called ‘End of History’, and where the deluge of data now available on the internet left the modern historian. Our own Liz Walton gave a talk on the Great War in the Channel Islands – I edited her book and was pleased to see it selling well on the bookstall.

Great fun, great conversations, great food washed down with a fair amount of wine. Local volunteers put a lot of work into this festival, which was supported by the Guernsey Arts Commission amongst others. With luck, and with the help of much-needed support from sponsors, Alderney Litfest will be back at the end of March 2019.

Follow the link for more on Alderney Literary Trust

And Now in German…

The Story of Guernsey is published in German this week. It is an introductory history of Guernsey profusely illustrated with images from Guernsey Museums’ collection, aimed at the general reader, visitors to the island and older children. The English and French editions of this book have already made it the Museum’s best-selling non-fiction work.

I’m pleased to see this out in German and have to thank my friend Tamara Scharf for translating it,  Elke Spangenberg for proofing the text and Christine Zürcher for the final proof-read. My schoolboy German wasn’t up to more than browsing through to check that the final copy looked okay. As usual Paul le Tissier laid out the book; always a complication when a paragraph in another language is not the same length as in English. The book is now on sale from outlets in Guernsey and via Guernsey Museum’s online Amazon shop.

Catch Flint While You Can

The current Endeavour Press editions of the five Jeffrey Flint books will only be available on Amazon until 8th March. The e-books and paperbacks will be taken offline thereafter pending further discussions. This follows the liquidation of Endeavour Press which has been covered elsewhere in the publishing media.

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New Year, New Novel

A New Year’s Day tradition for me has been to start a new novel, or kick-start one that has been slumbering as a few chapters in rough draft. A couple of hundred words will do.

This year I got ahead of myself. With the opening three or four chapters of ‘AW’ already in mind, I put down the first page three days ago.

NRT is done, as far as it can be before the next round of editorial comments come back. In the attached photo I am pondering potential titles for the book. Meantime the challenge is to write the follow-up. Not necessarily a sequel, mind. Who is saying that any of the lead characters survived? Perhaps their story arcs are complete.

What I’ve done is start plotting two follow-up books, using the same style and tone. Both are contemporary mysteries. Why two? Firstly because I have two ideas rattling around in my head that I want to explore. Also, although starting a story is easy, there is not always a middle to explore or a neat ending to be reached. Most real-world mysteries are solved extremely quickly or drag on for years in a mess of loose ends and inadequate evidence.

An author’s chat group ’10 Minute Novelists’ carried a story by one writer on how he uses whiteboards for plotting. To date I’d used ‘plot spiders’ scrawled on A4 paper, but this seemed like a great idea so whilst I was out Christmas shopping, I bought two.

The story with code name ‘AW’ hit a plot snag when I was two-thirds the way down that first page. A new whiteboard hung on my study wall is where I’m now planning my way around it. Perhaps the problem I hit as an author can simply be passed to the characters to solve? Meanwhile, I have both beginning and end in mind for the story code name ‘DC’  but need to think out a middle to tie both together.

So I’m daydreaming and doodling through post-Christmas television, starting to ‘remember’ the stories that have not been written yet. The chart on my whiteboard grows more complex, and I’ve opened two folders on my computers where the first ideas are taking root.

2018 is going to be an exciting year.

 

 

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