It’s October, which means it must be time for the CWA Daggers Awards, the Oscars of the Crime writing world. On the left of the featured image is M W Craven, winner of the Golden Dagger for the best crime novel of the year for The Puppet Show. Mike reminded everyone in his acceptance speech that he was shortlisted for a Debut Dagger in 2013, an encouragement to rookie crime writers everywhere. Beside him is Kate Ellis, also known for thrillers with an archaeological dimension, who won the Dagger in the Library. Kate was seated directly behind me and we joined a ‘group hug’ before she hurried to take her award with delight.
One of the great things I’ve noticed about crime writers is they are not competitive. Whether a ballroom full of them replete with wine, or a small residual knot of diehards in the bar, they are supportive of their partners-in-crime instead of bitching about their rivals. There is genuine pleasure for the winner of a coveted dagger and genuine sympathy for those shortlisted who did not ‘win’; I cannot conceive of them as ‘losers’ as even to be shortlisted is a rare honour for a writer.
The Awards Dinner has moved up a gear in the past few years and have become a swish affair with stylish dressing, polished presentations and a sensation of being right where it matters. It was held at the Leonardo Royal Hotel, London, which has assumed a new name since last year so challenging the detection skills of attendees. I was seated on the Debut Daggers table in the company of shortlisted writers of unpublished crime novels of whom most had traveled from the USA. As fate would have it, the award went to the one nominee who couldn’t make it, the Australian Shelley Burr.
The event has been widely talked about, and blogged about, so follow this link to Shots Magazine for more https://wwwshotsmagcouk.blogspot.com/2019/10/2019-crime-writers-association-dagger.html?fbclid=IwAR2BtYshSkox2FeU7Yc9PLPgZJIK5tzcATVrKS-9JekV4fUBffmQXGD-sU8
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