The cheekily-named Morecambe & Vice revels in its tagline ‘Bring me Some Crime’. On its second outing this year, the festival of crime felt more assured and distinctive. As befitted the venue in the Winter Gardens on the seafront, it was compered by bouncy double-act Tom Fisher and Ben Cooper-Muir. Guest crimesmiths sat on sofas in front of the safety curtain and curtains billowed in empty theatre boxes high above. At least, I think they were empty…
High above hung the once-gloriously decorated plaster ceiling and a warning notice deterred anyone from venturing upstairs to get a closer look. Warnings were a popular theme in Morecambe, what with quicksand and tides to catch the unwary. I took my toe-tag name badge and found a place amongst the cabaret-style seating. The audience seemed bigger than last year, perhaps 80 for each session and 200 or so overall.
As befits a concert hall, there was a showbiz theme, with panellists asked to reveal secret talents and then perform – singing, performance poetry and even fire-eating was on the bill. Chills were not only in the storylines but in the biting wind that brought horizontal rain in from the Irish Sea on the Sunday.
Every conference has its structure, but often panels are loosely wrapped opportunities to Plug My Book. M&V chose the approach of highly focussed subject talks. Four lawyers talked courtroom dramas, real and fictional. Four northern writers talked about their home turf. The item entitled ‘Crossing Sides’ featured four writers who worked in other genres; the point was made that romantic novels and crime novels can have rather similar narrative arcs.
A Crime Masterclass discussed flaws in crime novels and how to avoid them. One common theme was the need to establish basic truth within a novel to make it feel ‘realistic’, then make up the stuff essential to the plot. Fictional villages, obscure points of law and unlikely but possible twists can then follow. Sorry I can’t plug the names of the 50+ guests and speakers.
Particularly interesting was the ‘Crime is Crime’ panel, addressing LBGT issues in crime novels. How gay characters were often limited to victims or villains, or perhaps as a token sidekick. Putting a gay or trans character as the lead investigator is a particular challenge, especially when not required as a plot driver.
A study of Agatha Christie’ plays showed her to be the leading female playwright of all time. Capping the first day was a classic sofa interview of Peter Robinson by Elly Griffiths, including his not-always flattering thoughts on the TV adaptions of his DCI Banks novels.
A walk along the seafront gave me the opportunity to strike a pose by the statue of Eric Morecambe. The photo gained more facebook ‘likes’ than any of my regular posts showing that to succeed on the internet, it helps to make an idiot of yourself.
Oh, and we met Inspector Ted, abandoned bear turned crime-fighting mascot so internet-famous that local villains even recognise him when they are nicked.
Next year’s dates and programme are to be established but incredibly cheap advance tickets are already on sale.